

About Us Kataragama
Kataragama temple (Sinhala: රුහුණු කතරගම දේවාලය, lit. ’Ruhuṇu Kataragama Dēvālaya’, Tamil: கதிர்காமம் முருகன் கோயில், lit. in Kataragama, Sri Lanka, is a temple complex dedicated to Buddhist guardian deity Kataragama deviyo and Hindu War God Murugan. It is one of the few religious sites in Sri Lanka that is venerated by the Buddhists, Hindus, Muslims and the Vedda people. For most of the past millennia, it was a jungle shrine very difficult to access; today it is accessible by an all-weather road. The shrines and the nearby Kiri Vehera are managed by Buddhists, the shrines dedicated to Teyvāṉai and Shiva are managed by Hindus and the mosque by Muslims.
The shrine has for centuries attracted Tamil Hindus from Sri Lanka and South India who undertook an arduous pilgrimage on foot. Since the latter half of the 20th century, the site has risen dramatically among Sinhalese Buddhists who today constitute majority of the visitors.
The cult of Kataragama deviyo has become the most popular amongst the Sinhalese people. A number of legends and myths are associated with the deity and the location, differing by religion, ethnic affiliation and time. These legends are changing with the deity’s burgeoning popularity with Buddhists, as the Buddhist ritual specialists and clergy try to accommodate the deity within Buddhist ideals of nontheism. With the change in devotees, the mode of worship and festivals has changed from that of Hindu orientation to one that accommodates Buddhist rituals and theology. It is difficult to reconstruct the factual history of the place and the reason for its popularity amongst Sri Lankans and Indians based on legends and available archeological and literary evidence alone, although the place seems to have a venerable history. The lack of clear historic records and resultant legends and myths fuel the conflict between Buddhists and Hindus as to the ownership and the mode of worship at Kataragama.
The priests of the temple are known as Kapuralas and are believed to be descended from Vedda people. Veddas, too, have a claim on the temple, a nearby mountain peak and locality through a number of legends. There is a mosque and a few tombs of Muslim pious men buried nearby. The temple complex is also connected to other similar temples in Eastern Province dedicated to Murugan which are along the path of pilgrimage from Jaffna in the north to Kataragama in the south of the island; Arunagirinathar traversed this pilgrimage route in the 15th century.[6] The vicinity of the temple complex is used for secretive practices of sorcery and cursing peculiar to Sri Lanka (Source or reference to sorcery is missing). The entire temple complex was declared a holy place by the government of Sri Lanka in the 1950s; since then political leaders have contributed for its maintenance and upkeep.
There are number of theories as to the origin of the shrine. According to Heinz Bechert and Paul Younger, the mode of veneration and rituals connected with Kataragama deviyo is a survival of indigenous Vedda mode of veneration that preceded the arrival of Buddhist and Indo-Aryan cultural influences from North India in Sri Lanka in the last centuries BCE, although Hindus, Buddhists and even Muslims have tried to co-opt the deity, rituals and the shrine. But according to S. Pathmanathan, the original Kataragama shrine was established as an adjunct guardian deity shrine to Skanda-Kumara within a Buddhist temple complex. This particular shrine then became idealized as the very spot where Valli met Murukan amongst local Tamils and Sinhalese, and Kataragama deviyo subsumed the identity of Skanda-Kumara and became a deity on his own right with rituals and pilgrimage. According to Pathmanathan, it happened after the 13th century CE when Murukan became popular amongst Tamils and before the 15th century CE when the poet Arunagirinathar identified the very location as a sacred spot. The deity among the Veddas is referred as O’ Vedda or Oya Vedda, meaning “river hunter”.
The first literary mention of Kataragama in a context of a sacred place to kandha-Murugan is in its Tamil form Kathirkamam in the 15th-century devotional poems of Arunagirinathar. Tradition claims that he visited the forest shrine when he composed the poems. According to his poems, the deity dwelt on top of a mountain. The first mention of Kataragama deviyo in the form Khattugama, as a guardian deity of Sri Lanka and its Buddhist relics, was in the Pali chronicle of Jinakalamali written during the 16th century in what is today Thailand. (see Jatukham Rammathep a popular Thai amulet, based on Khattugama, a deity from Sri Lanka) Kataragama village is first mentioned in the historical annals known as Mahavamsa written down in the 5th century CE. It mentions a town named Kajjaragama from which important dignitaries came to receive the sacred Bo sapling sent from Ashoka’s Mauryan Empire on 288 BCE. (According to Ponnambalam Arunachalam Kajjaragama is derived from Kârttikeya Grâma (“City of Kartikeya”), shortened to Kajara-gama.
The vicinity of the temple has number of ancient ruins and inscriptions. Based on dated inscriptions found, the nearby Kiri Vehera is believed to have been built or renovated around the 1st century BCE. There is an inscription, a votive offering to the Mangala Mahacetiya, apparently the former name of Kiri Vehera on the orders of one Mahadathika Mahanaga, a son of king Tiritara who ruled in 447 CE. There is also an inscription of Dapula I dated to the 7th century CE who built a sanctuary for Buddhist monks, but the inscription does not mention Kataragama by name. Nearby Tissamaharama was a trading town of antiquity by the 2nd century BCE, as indicated by Prakrit and Tamil Brahmi legends in coins and potsherds unearthed on the site.The region was part of the ancient kingdom of Ruhuna which played an important role in the political history of the island.
The medieval phase of the history of the shrine began with the arrival of Kalyanagiri Swamy from North India sometimes during the 16th or 17th century. He identified the very spot of the shrines and their mythic associations with characters and events as expounded in Skanda Purana. Following his re-establishment of the forest shrine, it again became a place of pilgrimage for Indian and Sri Lankan Hindus. The shrine also attracted local Sinhala Buddhist devotees. The caretakers of the shrines were people of the forest who were of indigenous Vedda or mixed Vedda and Sinhalese lineages. The shrines popularity increased with the veneration of the place by the kings of the Kingdom of Kandy, the last indigenous kingdom before colonial occupation of the island. When Indian indentured workers were brought in after the British occupation in 1815, they too began to participate in the pilgrimage in droves, thus the popularity of the shrine increased amongst all sections of the people.
Temple layout
Almost all the shrines are nondescript small rectangular buildings without any ornamentation. There is no representative of deities adorning the outside of the buildings. This is in contrast to any other Hindu temple in Sri Lanka or India. Almost all shrines are built of stone except that one dedicated to Valli which shows timber construction. They have been left as originally constructed and there are not any plans to improve upon them, because people are reluctant to tamper with the original shrine complex.
The most important one is known as Maha Devale or Maha Kovil and is dedicated to Skanda-Murugan known amongst the Sinhalese as Kataragama deviyo. It does not have a statute of the deity; instead it holds a Yantra, a spiritual drawing of the deity’s power. Of all the shrines in the complex, it is the largest and the first that all pilgrims come to visit. Although it does not have a representation of the deity, kept in an adjoining room is a statue of Shiva also known amongst Sinhalese as Karanduva. Within it there is a clay arm chair known as Kalana Mandima that supposedly belonged to Kalyanagiri Swamy. It is covered by a leopard’s skin and on it has all the ceremonial instruments. To the left of the main shrine lies a smaller shrine dedicated to Hindu god Ganesha who is known as Ganapatidevio amongst Sinhalese. Tamils refer to him as the Manica Pillaiyar as well. It too is a small rectangular building without any decoration. To the left of Ganesha shrine stands the Vishnu Devale the shrine dedicated to Vishnu within which there is also a Buddha image. Behind this is a large Bo tree that tradition holds as sprung from the sapling of the original Bo tree in Anuradhapura, hence is very much held in high esteem by the visiting Buddhists.
Attached to the western wall of the shrine complex are shrines dedicated Kali, Pattini, Managara devio, Dedimunda and Suniyam.Outside the temple yard and beyond the northern gate lies the shrine to Teyvanai, the consort of Murugan. Teyvanai shrine is managed by the Sankara Mutt from Sringeri in Karnataka, India. The shrine dedicated to Valli, the consort of the main deity lies in front of the mosque. Close to the Valli shrine is a Kadamba tree that is sacred to Murugan. Within the mosque are number of tombs of Muslim holy men. There is also a separate shrine dedicated to the tomb of Kalayangiri swamy known amongst Tamils as Mutuligaswamy kovil. It is also known as the Siva Devale.
Festivals
The festivals and daily rituals do not adhere to standard Hindu Agamic or Buddhist rituals. It follows what Paul Younger calls as ancient Vedda traditions of worship. Although since the medieval period Hindus, Buddhists and even Muslims have tried to co-opt the temple, deity and its worship as their own, the rituals maintained by the native priests are still intact. The main festival known in Sinhalese as Esela Perehera. It is celebrated during the months of July and August. About 45 days before the festival begins, the priests go into the forest and find two forked branches of a sacred tree. The branches are then immersed in the local river and kept at the shrines dedicated to Kataragama deviyo and Vali. When the main festival begins, the Yantra representing the deity is retrieved from its storage location, paraded through a street on top of an elephant, and carried to the Valli shrine. After two hours it is returned. On the last day of the festival the Yantra is left overnight at the Valli shrine and brought back to the main shrine. The priests conduct the rituals in silence, covering their mouths with white cloth. Associated with the main festival is fire walking arranged by a master of the ritual. Hundreds of devotees participate in fire walking, yet others participate in ecstatic dance forms called Kavadi and body piercing. Many of the pilgrims exhibit signs of being possessed.